In addition to the option for ‘tonearm-free’ DVS control for Serato DJ Pro and Rekordbox, the PLX-CRSS12 brings 4 MIDI-mappable performance pads, easily switchable to use 8 modes, an OLED display showing essential data such as key & BPM etc., and other cool features. With a weight of 14.6kg (it’s very heavy, which is good), the PLX-1000 also utilizes lots of dampening design features and build materials, so it’s excellent at sound isolation; thus preventing unwanted vibrations and maximising sound quality. It’s not just about playing out with them, either. Even in the home or studio, the more committed hobbyist would still demand a nice sturdy turntable for optimal performance! With its reinforced metal construction, the 7000 MK2 is extremely well built (it’s nice & heavy), with plenty of sound-isolating properties and features, such as the new, low-resonance S-shaped tonearm and rubber-lined platter, for example. With regards to start-up speed (torque), the 7000 MK2s also has a slightly improved motor compared to the previous model, so definitely no complaints there.

Rigid chassis construction with reinforced metal; uses rubber and moulding compound for damping and sound isolation The layout of the PLX-1000 inherits the simplicity of that iconic Technic SL 1200. That is to say: there are no ‘bells & whistles’ on the unit, and it sells itself on build quality and overall reliability! Most notably, the SL-1200 MK2 model released in 1978, and its successors, dominated as the ‘’industry standard’’ DJ turntable for the best part of three decades before eventually getting discontinued in 2010. Whilst there were other decent brands on the market over that time – think Vestax, Numark and Stanton – Technics’ reputation for making reliable ‘workhorse’ turntables was mostly unchallenged.Many audiophiles, DJs, and other vinyl enthusiasts swear by the superior sound quality that many of us would associate with vinyl. At least when compared to compressed digital audio files like an MP3, or when listening to your favourite streaming platform, for example. Firstly, vinyl is the only true lossless audio format. This basically means that you’re hearing a truer representation of the original recording as the producer intended in the studio. Because of this, based on this compression argument alone, you WOULD get a ‘’better’’ sound compared to an MP3, or any other digital file. Firstly, we should say that everything on the AT-LP1240-USB-XP has a nice premium feel to it. It’s well-built and has plenty of anti-resonance/dampening design features. Furthermore, it’s nice & heavy and has plenty of torque – all necessary for producing a quality sound output, and for professional use.

On delivery you must inspect the goods carefully for damage as Inta Audio is unable to accept responsibility for damage in transit, shortage of delivery or loss of products unless the customer advises Inta Audio of such within three working days from the date of delivery. One of the major attractions of having a DVS setup is that you can preserve the authenticity of DJ’ing on turntables but without the need to maintain a clunky vinyl collection. Simply put: a digital music collection mixed on turntables. Platter Play: allows the performance pads to control the speed of the platter to enable melodic and more musical live performancesNext up we have the AT-LP1240-USB-XP from Audio-Technica (updated in 2018 from the original 2012 model). As well as being a professional DJ turntable it’s also targeted at audiophiles for general listening. Its most relevant competition from a buyer’s perspective is probably the Reloop 7000 MK2 (No.3 on this list). As the price is very similar to the Reloop, there are a couple of things to consider: Best suited to: First up, we have Pioneer DJ‘s flagship DJ turntable, the PLX-1000. It was released in late 2014, only 4 years after the discontinuing of Technics’ SL1200 and SL1210 range. Obviously Pioneer were striving to make the PLX-1000 the market-leading turntable, and they did a pretty good job! Best suited to: