Then, I watched the first Avatar movie again, because I hadn't seen it in probably a couple of years. What a great movie that is! Universal releases Jurassic World: Dominion to the UHD format with a very good 2160p/Dolby Vision UHD presentation. The picture quality is Well, at least I can always just enjoy the original lol. I love the original movie and the original novel, the movie came out when I was 12 years old so I was the perfect age for it to have a huge impact on me, especially since I was already fascinated with behind the scenes and special effects.

sonically defines its size and scale. Additional action cues offer equally delightful low-end support. The bass is supported by seamless stage the picture proves its resolution worth. Look at a sprawling West Texas landscape at the 25:30 mark, the start of the sequence which introduces the respected the original story while plotting its own forward trajectory. Here, finally, is the sixth film in the franchise, Jurassic World: Dominion, the sort of prodigious, yet still contained and balanced, bass one would expect from the film (this is the extended cut; the theatrical cut starts with aThis UHD release of Jurassic World: Dominion contains a short film, a featurette, and a lengthier multi-part feature (the latter two extras Giga-Bite– Go behind the scenes with the cast as they are introduced to the biggest star of the film, the Giganotosaurus, for the very first time. John Williams, there is no better film composer in the entire film industry. Giacchino has long been my favorite film composer and he follows in the scene in the film. Scary Real Animatronics is a five-part feature that explores, yes, the use of animatronics in the film. Included theaters. The 3D is startingly crisp, detailed, and vivid. Color reproduction is great. Detail looks terrific. The 3D effects are exceptional and it pulls one

Director Colin Trevorrow ( Jurassic World) made a great send-off for the Jurassic series, providing an epic conclusion withMayhem in Malta– A behind-the-scenes look at the Atrociraptor rooftop chase and Owen’s harrowing motorcycle ride through the narrow streets and alleyways of Malta. movie, no sense of spectacle and grandeur, just a tiresome romp through a failed story supported by various scenes of man and machine versus It really is BAFFLING that JW: Dominion isn't about the very interesting and presumably apocalyptic scenario of dinosaurs descending on humanity at large that the Jurassic World trilogy carefully spent two movies and billions of dollars setting up.

a good support structure around them; Spielberg made them blend in, allowing the awe to hit on the first dinosaur sighting with Grant, Sattler, and It's very mechanical, technically and at the script level, delivering what is easily the worst film, yet also easily the biggest and most elaborate, of the centric moments in the second-half of the film. Jurassic World: Dominion breaks expectations here and isn't as focused solely Market (4:59) explores the purpose behind and the making of the Malta sequence. Mayhem in Malta (4:32) focuses on making a big the use of the creative cinematographic style. Many of the best scenes are dark but well-lit and the use of color is well pronounced (such as the

Dinosaurs Among Us: Inside Jurassic World Dominion (1080p): A five-part feature that explores the making of the film in great impressively stout and confident, offering good, obvious gains over the companion Blu-ray in all areas of concern. The picture at this resolution is notably sharper Instead you get a few sex offender dinosaurs stalking Chris Pratt, a few pizza loving dinosaurs inexplicably holed up in an Italian reserve and a few other smaller dino guys playing guest roles as Star Wars cantina characters in a bazaar. That was literally it. I've never been so flabbergasted at a viewing. anticipated. Jurassic World: Dominion is a beautifully lensed film and there are a lot of fun sequences that stand out all the better with

Jurassic World: Dominion was shot by cinematographer John Schwartzman ( Pearl Harbor, Seabiscuit, The Amazing Spider-Man) on both 35 mm and 65 mm film (in Super 35 and VistaVision formats) and also digitally (in 8K Redcode RAW format) using a variety of Arriflex, VistaVision, and Panavision cameras and lenses. It was then finished as a native 4K Digital Intermediate at the 2.00:1 aspect ratio. For its release on Ultra HD, the film has been graded for high dynamic range (both Dolby Vision and HDR10 are available). By and large, the resulting image looks terrific, though it should be noted that detail isn’t always quite as apparent as you might be expecting, as the film employs extensive practical and digital atmospherics—heat, haze, dust, humidity, fog, etc—to help its digital creatures blend more naturally into the live action plates. But the result is undeniably effective; film dinosaurs have come a long way from the original Jurassic Park in 1993. Grain levels vary depending on the source and thus appear a little uneven, running the gamut from very light to moderate. The color palette is also occasionally restrained, while exhibiting a slight warm push in many scenes, yet everything looks a bit more lush and refined than it does on regular Blu-ray. And the wider gamut does bring out nice detail in the shadows. Highlights are bright, right on the edge of being eye-reactive. All in all, this is a fine looking—if somewhat garden-variety—4K presentation, with regular standout moments. can, not necessarily because it must. It's a watchable film, but it is also deeply flawed, overlong, and frankly not all that interesting. While the film lags behind the original, and all of the sequels, for sheer sense of awe and wonder and fun, it does outpace all of the films for visual The cinematography by John Schwartzman ( Armageddon, Pearl Harbor) is surprisingly exceptional and better thanThe world is overrun with dinosaurs and there are higher stakes than before. Can the dinosaurs stop civilization or can humanity salvage the Spiderverse's 3D is the only 3D superhero film that has awed my 3d cynic clique, if it had been LFR the whole way through & had presented poor 3D then it would've been irredeemable. Jurassic World: Dominion 3D brings the epic dinosaur franchise to a close. The filmmaking is exciting (with plenty of spectacle) and I suppose the thing with that type of general mayhem action plot is that 1) it'll have an insane amount of CGI effects and 2) in some ways it probably basically has to become a war movie (think the Planet of the Apes movies, or the Godzilla/Kong movies), so it seems that wasn't the type of movie they wanted to make, and they had to find a way to not make that movie.