In short, making it to the end, felt like a Herculanean struggle and one which I would not inflict on anyone. Moreover, I have no intention to attempt another Mosse novel again - my Year 11 narrative writings were more interesting and original! Sam is an ordinary teenager who has built her life through friendship and a special bond with her twin sister through entertainment and schoolwork. The novel revolves around an adopted twin whose sister has died for her real parents. Citadel has a large cast of characters. Several women make up the group of Citadel, and a variety of personality traits are shown. Through the character Sandrine, I saw a transformation in both her personality and story-line. Her traits of stubbornness, conviction, determination, conscience, and bravery, shown in the beginning of the story, unfolds a woman capable of heroism.

I absolutely love Kate Mosse! I wish she'd write more often, but I suppose her books are SO good because she does such GREAT research into her subject. The 1942 storyline at least presents its share of obstacles for its characters. Sandrine certainly grows and changes as she matures from an unsure, impulsive girl into a clever and courageous woman. Although I found the simplistic way in which Mosse presents their decisions somewhat irritating, I really enjoyed how various characters, like Luce, rationalized their collaboration. In this respect, Citadel allows the reader to sympathize with what the ordinary citizens of these villages and towns must have felt as the Nazi occupation deepened. It’s all well and good to say that one would stand and fight against such an invader in theory. When it’s actually happening, it is a different thing entirely, more pernicious and less overtly easy to throw off.Kate Mosse is an award-winning novelist, playwright, essayist and non-fiction writer, the author of eight novels and short story collections, including the multimillion-selling Languedoc Trilogy, The Burning Chambers Series and number one bestselling Gothic fiction The Winter Ghosts and The Taxidermist’s Daughter. Her books have been translated into thirty-seven languages and published in more than forty countries. The Founder Director of the Women’s Prize for Fiction, she is the Founder of the global Woman In History campaign.

In the fourth century a monk, Arinius, has been taxed with saving a document that the Christian leaders have decided is heretical. Like a few others, he disagrees and has accepted the task of taking the Codex to another land and hiding it safely away for a better time. In Nazi occupied France the Citadel are a group of all-women freedom fighters - part of the Resistance, and determined to outwit both the Germans and the evil French collaborators. Led by 18 year old Sandrine Vidal, her sister and their friends, these woman show courage and daring, never knowing who is watching them or who will betray them to the authorities.Kate Mosse is an international bestselling author with sales of more than five million copies in 42 languages. Her fiction includes the novels Labyrinth (2005), Sepulchre (2007), The Winter Ghosts (2009), and Citadel (2012), as well as an acclaimed collection of short stories, The Mistletoe Bride & Other Haunting Tales (2013). Kate’s new novel, The Taxidermist’s Daughter is out now. The story itself is utterly cliche ridden. The lovers look into one another's eyes. their hearts burn with passion, there is much gazing at the stars, there is a Jewish lover, who is, of course taken and so and so on. In short, there is no originality or fervor in the writing. It is one trite cliche after another. In fact, as I was reading it, I kept imagining I was marking my Year 11 short stories and wanted to underline bits and write CLICHE in large red letters in the margin. If I had found several spelling mistakes and multiple erroneous attempts at a semi-colon I would not have been surprised.

A superb blend of rugged action and haunting mystery based on real-life figures, Citadel is a vivid and richly atmospheric story of a group of heroic women who dared the odds to survive [provided by the publisher]When Sandrine and Raoul meet, they discover that they have similar passions not only for their homeland but also for each other. However, in hard times where the enemy has eyes on every one and ears in walls, where friends disappear drastically without a trace, there is a high price to pay for love than expected. Now you, too, can be part of the history of CFT. The international bestselling novelist and playwright, Kate Mosse – a Chichester girl, born and bred – is writing the anniversary book for CFT’s first half century. Chichester Festival Theatre at Fifty is a decade-by-decade celebration, a love letter in words and pictures, based on interviews by many of those who’ve played their part in the enduring success of one of Britain’s most important and best loved theatres. Set during the Second World, the storyline follows a group of women Resistance fighters who are trying to help people escape the Nazis in France. We meet Sandrine and her network known by the codename Citadel. But Authié wants Raoul for his own purposes: Raoul is in possession of a map belonging to his former comrade, Antoine, who died under torture at the hands of Authié's henchman without revealing its whereabouts. Beneath his official guise, Authié is a kind of latter-day inquisitor, obsessed with restoring the purity of the Catholic faith; he knows that Antoine corresponded with Otto Rahn, and suspects that before Rahn's death the German passed to Antoine a map revealing the whereabouts of an ancient codex containing a secret so powerful it could change the course of the war. The Ahnenerbe are also pursuing this codex, apparently with Authié's assistance, though to their cost they fail to realise that his motivation for securing it is quite different to theirs. Though the elements of fantasy and magic require a firm suspension of disbelief (there is a whiff of Tolkien about the alleged powers of the codex), what capture the reader most powerfully are the horrors of the Nazi threat and the sacrifices necessary to survive and resist, which make Citadel feel the most substantial and mature of the trilogy.

So for its depiction of the struggles of occupied Languedoc, Citadel earns some respect. Mosse evinces both passion and planning in her presentation of this story, enough that I can understand what makes her so beloved of some readers. Yet if the Languedoc people managed to rise up and drive out the Nazis anyway, why did they need ghost soldiers? For this reason, I found Citadel’s eleventh hour dip into the realm of fantasy perplexing more than anything else. Up until that point, the hunt for Arinius’ Codex had been pleasantly archaeological, reminding me of the conspiratorial tones of Eco and Ruiz Zafón. The actual resolution after all that feels more deflating than rewarding.Mosse is the queen of historical mystery. She understands more than most historical writers how to weave the past with the present. In fact, she's more than adept at writing two parallel tales with hundreds of years between the two. As the stories unfold, it becomes more evident how Mosse intends to connect the parallel tales. This is the first time I have written in a review on this blog reference to Scripture, but I do not apologize, it would be wrong of me as a reviewer to not state something in a book I see as incorrect, even if the book is fiction.