Murder in the Rue Dumas: A Verlaque and Bonnet Mystery: 2 (Provençal Mystery)

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Murder in the Rue Dumas: A Verlaque and Bonnet Mystery: 2 (Provençal Mystery)

Murder in the Rue Dumas: A Verlaque and Bonnet Mystery: 2 (Provençal Mystery)

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Mystery and romance served up with a hearty dose of French cuisine. I relished every word. Longworth does for Aix-en-Provence what Frances Mayes does for Tuscany: You want to be there—NOW!”—Barbara Fairchild, former editor in chief, Bon Appétit Their relationship is the focal point of the series, as their relationship is set to often get in the way of solving the murders. Jil Fairclough quipped: "What is going on in #murderinprovence? Who are all these English people in France - who don’t seem to know what marmite is?" Longworth’s charming, if talky, fifth Verlaque and Bonnet mystery (after 2014’s Murder on the Île Sordou) looks at the art world. The book alternates between the now troubled relationship Continue reading » The Verlaque and Bonnet mystery novels are, now that I think about it, more about Provence and its culture, history and wines than it is about the mystery.

Death at the Château Bremontoffers charming French locales, vivid characters and an intriguing who-done-it.”—Kevin R. Kosar, author of Whiskey: A Global History Another egregious plot device which made me want to throw the book across the room was that our hero, a JUDGE, deliberately breaks into premises outside his jurisdiction with his accomplice a LAW PROFESSOR, based on nothing more than a hunch and conjecture. In the real world they would both have been fired and prosecuted, not been invited to dinner. And they aren't even contrite about it. Even so, the whole sequence should have been resolved with a simple telephone call (which, in a way, it ultimately is). The team questions professors and students to distinguish professional jealousies from motives to kill, but the further they delve, the more crimes they uncover.” Longworth is an engaging and entertaining writer who holds readers with not only interesting tidbits (such as dropping into Les Deux Garcons, the café where Cezanne and Zola once exchanged ideas), and the badinage between Verlaque and Bonnet while at the same time spinning a mystery. For the general plot and mystery I can't say I love it because the book is bogged down with too many characters. There are too many changing POVs and the mystery proceeds slowly because so much is going on.In Longworth’s thoroughly delightful fourth Provençal mystery (after 2013’s Death in the Vines), examining magistrate Antoine Verlaque and Marine Bonnet, his law-professor girlfriend, take a Continue reading » Kanter, Jake (2021-05-25). "BritBox Sets Crime Series 'Murder In Provence' As First U.S. & UK Co-Production". Deadline . Retrieved 2022-03-07. The pair investigate murders, mysteries and the dark underbelly of their idyllic home in the south of France. Longworth’s gentle procedural succeeds on several levels, whether it’s for academic and literary allusions, police work, or armchair travel. With deftly shifting points of view, Longworth creates a beguiling read that will appeal to Louise Penny and Donna Leon fans.”— Library Journal

Bonnet, actually, is not a detective at all. She's Verlaque's girlfriend, who, I presume, he hooked up with in the first book. Their relationship is in that awkward phase where neither is quite sure how serious it is. Bonnet does help some with the case, but is, largely, on the periphery. I do like her, and I like that she isn't his partner, as that changes up typical dynamics a bit. I was not super attached to the characters, but I was entertained by them, which was enough for me. De spanning is niet het hele verhaal aanwezig. Maar hier staat het genre “cosy crime” ook bekend om. Daarom heb ik daar ook totaal geen problemen mee, want hier stel ik mij altijd al op in als ik een verhaal in dit genre ga lezen. Wel had ik de hoofdstukken graag iets korter gezien. Doordat ik al wat moeite had met dit verhaal en het boek eerder aan de kant wilde leggen, helpt het ook niet als de hoofdstukken lang zijn. Als ze korter waren geweest was ik eerder geneigd nog een hoofdstuk(je) te lezen. Marine had an exciting weekend away planned for the pair before he received a call to say that he would no longer be able to go on the trip. The latest book in the Verlaque & Bonnet Mystery series, The Curse of La Fontaine, is available now from Penguin Books!In Sept. 2011, I first discovered Mary Lou Longworth and her first mystery ( Murder at the Chateau Bremont) set in Aix-en-Provence. I waited, impatiently at times, for her follow up books. It is worth the wait.

Voor mij was dit niet de eerste kennismaking met M.L. Longworth. Ik las een tijdje geleden al ‘Dood op kasteel Brémont‘ van haar hand en had hier nogal wat op- en aanmerkingen op. Maar toch was ik nieuwsgierig naar dit vervolg. Ik was vooral benieuwd of dit verhaal spannender zou zijn. Dat was ‘Moord in Rue Dumas’, gelukkig wel.Who is responsible for the murders? Are they related to the art forgeries? Will Judge Antoine Verlaque, his on again/off again lady friend law professor Marine Bonnet and Commissioner Bruno Paulik of the Aix police unravel these mysteries? The head of Aix University’s Theology is expected to announce both the winner of the prestigious Dumas fellowship, and, with his retirement, the appointment of his successor—who will acquire his very luxurious apartment. Before any of this occurs, he is found having been murdered in his office. Police commissioner Bruno Paulik, his boss examining magistrate Judge Antoine Verlaque, and the judge’s lover, law professor Marine Bonnet, seek the killer Another tedious repetition was the author showing off her knowledge of Aix, providing detailed steet-by-street, turn-by-turn routes various people walk through the city (sometimes including non-existent street names for no apparent reason). Enough! However, what I won't overlook and this annoyed me big time, is that the (laughably tiny) faculty doesn't include a single member of the clergy. Considering the plot involves an examination of the department's funding (the separation of church and state in France means that no public funds can be provided for the study of religious subjects and so public universities do not have theology departments, a paradox which is brushed aside in a single paragraph which makes only limited sense) , the only way colleges can afford to maintain such courses is with the help of the Catholic Church. Priests and nuns with academic credentials, while just as qualified, are significantly cheaper to employ than their lay counterparts , and are more able to provide support and advice for students planning to emulate them. The Church can also provide direct funding, funnel students , and offer opportunities for placements and other benefits. As their life seems to be going well with a positive attitude towards their relationship, it all comes crashing down when Antione investigates the murder before he was due to retire.

Samen met zijn rechterhand Bruno Paulik wordt Antoine Verlaque aangesteld om deze zaak te onderzoeken. Ze ondervragen faculteitsmedewerkers, docenten en studenten, trekken alibi’s na, doorzoeken zijn kantoor en woonruimte en komen erachter dat Moutte een man was die mensen regelmatig tegen elkaar uitspeelde en niet door iedereen aimabel werd gevonden. Daarnaast ontdekken ze dat hij naast zijn werk nog een andere passie had, die een extra onderzoekslijn oplevert. De ondervraagden hebben allemaal hun eigen verhaal, laten niet direct het achterste van hun tong zien en het verdachtenlijstje wordt niet vlot ingekort, er worden eerder mensen aan toegevoegd. There are three 90-minute episodes in season one and are set to take viewers on the investigative journey of Antoine Verlaque. In het eerste hoofdstuk is te lezen dat Yann en Thierry, twee goede vrienden, op weg zijn een feestje. Het begint allemaal heel “cosy” en Longworth neemt uitgebreid de tijd om de personages voor te stellen en de omgeving te omschrijven. Hieruit blijkt maar weer dat ze hier een kei in is. Longworth’s novels . . . are mysteries for foodies, with the plot providing a table upon which the enchanting meals and accompanying wines are served.”— Booklist M. L. Longworth who also penned Death at the Chateau Bremont (2011) has lived in Aix-en-Provence for the past 15 or so years, and has written for major publications regarding this region. One can only assume that she loves her adopted home from the warm descriptions of places and food included in her story. Rather than hindering the mystery they simply serve to enrich and vivify it.In that respect, I got absolutely everything I hoped for from Murder in the Rue Dumas. The book is so French. There is much discussion of food, wine, alcohol, and such things. Warning: this book will make you hungry. There's a certain snobbishness to it, but I found it fabulous.



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