There is quite a big difference between these two. The flex boost is, in fact, a drive pedal which can also be used as a boost. Whereas the pure boost is a clean boost. In my opinion, the flex should actually be called an overdrive pedal. The first is that the Mooer pedals have very similar coloring to the original pedals from which they based on. Modulation based effects such as phasers, flangers, and chorus also merge well with tremolo. As modulation adds movement to the signal, the tremolo can interact and create smooth blends of psychedelic overtones. Firstly, I was really impressed by the reverb effect, which is based on the authentic spring units used in their 1963 and 1965 models. Combined with the selection of their best-loved tremolos, I found that these effects blend harmoniously to create smooth and warm layers of sonic cushions. You’ll find these tones to be a great way to soften the sound of your guitar.

Much like the Blues Driver by Boss, the Blues Mood can be used as either a boost pedal by adjusting the gain knob to zero and boosting the volume knob. Or, can be used to achieve the overdriven tube amp sound. This can be achieved by playing around with the gain knob. Both the Blues Mood and the Boss BD-2 make for pretty versatile drive/boost pedals. Especially with the fat switch option. The “Fat Switch” (Inspired by the Keeley Mod) Due to tremolo pedals’ effect on the volume of the entire signal, it’s best to place them as close to the end as possible. This means that the shift in volume won’t affect the performance of the majority of other pedals on the board. As previously stated, this advice is merely conventional guidelines, and sometimes, going against the grain produces the most interesting tones. These two pedals may seem similar because they are both echo-based delay pedals. However, they are actually quite different. The Ecolizer has a longer delay time compared to the ana echo. It has a maximum of 600ms whilst the ana only has 300ms maximum. For me, they Echolizer wins over the Ana Echo. However, if you’re looking to replace the Boss Dm-2 then the Ana Echo is for you. When examining the tremolo side, I was able to choose between ’61 harm, ’63 tube, and ’65 photo. Alternatively, when I switched over to the reverb section, I was excited to find that it offers individual ’60s, ’70s, and ’80s presets. Once I’d selected my desired setting, I then found that you can then use the various controls to adjust how they sound.There are many qualities that really impressed me about the Pipeline, one being its Vintage mode. This sine wave setting sounds remarkably like the tremolo you’d find on a retro Fender valve amp, with warmth and character in abundance. Also, the freedom you get when you hook the pedal up to the TonePrint Editor allows you to create unique effects to your heart’s content. Although the majority of the tremolo pedals featured on this list provide a singular effect, there are some which offer many other processing options additionally. Multi-effects pedals are a great way to keep your pedalboard clutter to a minimum, and they also save guitarists money compared to purchasing numerous singular pedals. The price means it’s certainly not for beginners, but if you’re looking for a no-compromises vintage amp sound on your ’board, this might well be it.

That is why it is recommended to run a separate dry signal to maintain the low notes of the bass. After all, that’s what the bass is there for! It makes no sense to me, to use a pedal that cuts out the very essence of what the instrument was intended for. Alas, I am biased due to the fact that I’m in a band with a bass player that has never used any pedals. Mooer Fog Bass vs Zvex Woolly Mammoth? With some effects pedals, there are specific positions that are agreed to be most efficient. After the tuner pedal, it is common to start the chain with dynamic-based pedals, like compressors, EQ, limiters, and volume pedals. These pedals need to interact with the signal when it is at its cleanest, to work most effectively. The depth control alters the overall tone of the tremolo. This can be used to create darker, mysterious tremolo, or brighter, more energetic versions. Depth controls vary on each pedal, and the way they affect your signal will be different depending on the intentions of the manufacturer. Each of these controls plays a pivotal role in creating the overall texture of the tremolo and makes it easy for you to navigate the settings to adjust them in real-time. Despite its simplistic design, by playing around with this trio of knobs, you can conjure up some smooth-sounding tremolo tones to bathe your guitar in. True bypass switching preserves your signal integrity, and the LED light indicator lets you see the current status of the pedal, even on a dimly lit stage. Moving on, I was impressed by the functionality of the controls, which are Mix, Depth and Speed, all conveniently located underneath the main effect selector. I then discovered that along with tremolo, the other effects included with the Coolmusic A-ME01 are flanging, phasers, rotary, ring, vibrato, chorus, detune, wah, and dyna filter. For such a low price, you can rarely get so many effects housed in a single pedal!The Mooer Eleclady is a clone of the Electric Mistress by Electro-Harmonix. And, it manages to clone this legendary flanger in a fraction of the size of the original. The Mooer Eleclady, with its small and sleek design, offers three knobs as well as a 2-way toggle switch. The knobs include: I like the overall naturalness of the chorus sound I get from the Mooer Ensemble. Many other cheaper Chinese clone pedals tend to produce a tiny and thin chorus tone which I don’t like. The Mooer Ensemble king does not do this, and that is why I think it is such a great clone. It’s pretty tough, I would imagine, to recreate such a legendary Boss pedal. But, Mooer does it really well with this pedal. Initially, I noticed the two controls positioned on the top layer of the JF-09, which are labeled Intensity and Rate. I found that the intensity control affects how prominent the fluctuations in the volume are within the tremolo effect. The rate control, on the other hand, adjusts the rate and speed of the tremolo. Although I’ve encountered these controls on other pedals, I found that this JOYO device offered more flexibility than the majority of similar stompboxes. The Blues crab is more of a clean drive pedal that is merely meant to boost or push the front of a tube amplifier. Either to an amp that is about to break up or an already driven amp. The blues mood, on the other hand, has more gain on tap and can be used to achieve subtle gain to crunch bluesy goodness. My Review: As a worshipper of vintage valve tones, I was really excited by the Supro Tremolo pedal after I found out that it is designed to emulate the sound of a Class A tube amplifier circuit. Upon further research, I found that it offers a pair of unique tremolo voicings, accessed through switchable modes. One feature I found to be particularly useful was the Amplitude mode, which produces a remarkably true rendition of bias-modulated power tubes using in early Fender amps, renowned for their stellar tremolo units. This is ideal if you’re trying to break away from the digital tone of many modern guitar styles.

The Eleclady makes for a great clone of this awesome EHX pedal. However, there are definitely some slight tonal differences between these two pedals. You’ll find the Mooer Eleclady to give you more top end. Whilst, the Electric Mistress is definitely mellower and more “organic” sounding in terms of the analog flanger. One huge and obvious difference between the two is the size difference. The original EHX electric Mistress is absolutely massive and I’d consider it not pedalboard-friendly at all. The Mooer, on the other hand, is perfect for the pedalboard. Having said that, Electro-Harmonix does make a newer, and smaller version of the classic Electric Mistress. For customers in outlying areas of the country, the price of the Extended Warranty may be marginally higher, due to the potential for higher collection and redelivery transport costs. In addition to the aforementioned controls, the Mooer Trelicopter Tremolo Pedal comes with true bypass circuitry, a bright LED power indicator, and a 9V DC IN. The question of whether a tremolo with a buffer or true bypass is better depends on your requirements. If you are using massive cable runs, buffered pedals are advisable. If you are using short cable runs, the true bypass will do the job. Where to Position a Tremolo Pedal in Your Signal Chain At close inspection, it is easy to see that they Mooer Funky Monkey is laid out pretty different from that of the AW-2. However, this is certainly to be expected considering the small size of the Mooer. That being said, let’s look at how the Boss AW-2 is laid out and then note the differences son the Funky Monkey.Bottom Line: The Supa-Trem Jr combiner pristine quality components, streamlined operation, and an array of expressive tremolo tones. Using the Fulltone-designed photocell mechanism and boasting speed ranges that far outstretch your average tremolo pedal; this is one of the best options on the market. Please note the all Mooer micro series pedals must be powered by 9V DC (not supplied) as they are too small for battery compartments! Specification Right off the bat, I noticed that this product is built similarly to a wah pedal. After digging a little deeper I was intrigued to discover that this unique offering provides you with complete control over five separate waveforms. One feature I found to be useful was the sweepable foot control, which means that you can adjust every aspect of the pedal without halting your guitar playing.