Piccolo comes up with a plan for getting into the castle by the men posing as some of the acrobats providing entertainment. The ruse works. When they are ready, they remove their disguises and a battle ensues. During the melee, Anne warns Dardo that Ulrich has gone for his son. When Dardo catches up to Ulrich, he is in the company of the marchese. The count leaves Dardo and the marchese to fight. Though Dardo tries to persuade the marchese to stand aside, the marchese refuses, trusting in his swordsmanship. But, Dardo manages to plunge the room into darkness, where his hunter's instinct gives him the fatal edge. It is though Burt Lancaster that is the central focus of the film. His first 'independent' production he knew if he did not carry it well it would have failed. Every time he is on the screen he is the focus of attention and fortunately he is on very often. Whether exchanging insults, engaging in acrobatics or romance he is hitting the target every time. He is ably supported by Virginia Mayo as his leading lady. A underrated actress with a attractive and strong physical presence. Lets be frank, does anyone believe that DARDO would fall for some skinny twit like Audrey Hepburn (or today Angelina Jolie) no way. We did not believe that when Sean Connery did in ROBIN AND MARIAN! The Flame and the Arrow is a sweet romance between Annika and Talvi. Both are from different worlds. One from the human world and the other from the fae world.

While staying in Derbedrossivic, Annika discovered that she has an ancestor who from from the fae world. Her relationship with Talvi grew closer as he continued to court her. Even though she was warned by her new friends that Talvi is a womanizer and a heartbreaker, it was too late to protect her heart from Talvi. The action is colourful if occasionally underpowered, the sets are fine, especially the castle interiors. Lancaster claimed to do all his own stunts but that seems very unlikely given the evidence and editing seen here, nevertheless it's his drive and energy which keeps the action moving. Mayo is fetching in her elaborate robes although her character seems too feisty to suddenly capitulate to Dardo's less than magnetic charms. Robert Douglas as the dashing but double-dealing Marquese and Frank Allenby as the tyrannical count are both very good in support. One of the more enjoyable swinging-from-the-chandelier-with-a- -sword adventures made a la Erroll Flynn. A lively pace, loads of action, a witty-if-fluffy script, an enchanting score, good performances, and above all an incredible number of acrobatic stunts make this utterly enjoyable. Lancaster had been a circus acrobat before he got into films, and managed to work every stunt he could do into the script. He even balances and poses on the top of a 20-foot pole, for real. I'm still amazed that a guy that big could be so good.I loved all the characters he did. They all felt real to me and unique. I would defiantly listen to this narrator who I found to be really good. I think his later "acrobatic" films were better, especially "The Crimson Pirate", which had a far better, more amusing script, and "His Majesty O'Keefe," which provoked some serious sub rosa thought, in people given to serious thought. He kept fit for the rest of his life, even doing some clearly dangerous stunt work as late as "The Professionals" in 1968. Like some other tall, sinewy actors -- Clint Eastwood, for instance -- Lancaster seemed to have such delicate hands and fingers. What one character says of Leopold Bloom in Joyce's "Ulysses" could as easily be said about Lancaster -- "He'd have a soft hand under a hen." If this film gave a boost to his career, and it probably did, he certainly hit the ground running. I especially love the elfin language about the two flowers and the bees. There is a deeper meaning about love in the elfin language. Cannaday did do a good job with the alternate world, the family, the other worldly creatures, etc, in book 1 -- but all that goes away when Annika goes home in book 2. The screaming queen, the fairy jokes, the unquestioning acceptance of her friends -- without any real discussion -- these aggravated me even as I mourned the gold Cannaday left on the ground. Allenby and Douglas prove to have the best parts as confirmed villains. But Lancaster along with Mayo as the love interest don't fare as well, as their fate seems wholly improbable (one scene in which Dardo survives hanging on the gallows with a special harness proves to be the most absurd moment in the entire drama).

On the other hand, the hero is a douch-bag of epic proportions. He's petulant, spoiled, arrogant, cruel, and loves to brag about all the women he's had. He also enjoys belittling and torturing the woman he claims to love, and constantly lies to her -- when he isn't stomping out in a huff over some slight to his fragile ego. He is the most unlikable hero I've ever read. I am looking forward to the next two books in this series to find out where the next adventures will take Annika and Talvi.

Burt Lancaster was a much more versatile actor than Errol Flynn; I could not, for example, imagine Flynn in "The Birdman of Alcatraz" or "Lawman" or "The Train". (Or if he had made a version of "The Train", it would have had had Labiche leaping from carriage to carriage across the roof of the train, fighting hand-to-hand duels against the Nazis in a desperate attempt to rescue the priceless artworks). Within his relatively narrow range, however, Flynn ruled supreme, and for all his athleticism Lancaster never quite brings to his role the panache and charisma that Flynn brought to his in "Robin Hood" and similar films.

Lancaster is marvellous to watch! Performing all his own stunts his high flying antics are a joy to behold. No other actor, before or since, would prove to be so agile and provide such a spirited performance! His athletic prowess is outstanding and little wonder he was Warner's first choice to play the great native American athlete Jim Thorpe in their biographical "Jim Thorpe-All American" (aka "Man Of Bronz") in 1952. Although he did a kind of follow-up to "The Flame & The Arrow" two years later with the more comical "The Crimson Pirate" it is a shame he then ceased doing this type of movie as we could have tolerated him in quite a few more of them. Talvi acts immature sometimes and he is meant to be many years old. He acted like a horny teenager not a century old elf! BELOW – I have cropped the picture a little to see how it would have looked on the screen – although a still photographer is in the foreground – doing a good job I am sureAnnika said that she has met his kind (a womenizer) before and knew how to deter them. Yet she fell for Talvi who is the type she doesn't go for! Beautifully photographed in colour by the great Ernest Haller the movie has all the hallmarks of Warner's high production values. Adding greatly to the picture's proceedings is the wonderful Italianate score by Max Steiner! His ebullient music, like the picture, is a total delight especially his infectious and hum inducing main theme for Dardo scored for mandolins and orchestra and the gorgeous love theme for the scenes with Dardo & the lady Anne. There's a splendid driving battle theme too! Steiner's music was nominated for an Acadamy Award but lost out to Franz Waxman's darker "Sunset Boulevard". Narration was wonderful. A slightly British accent, with a not too deep voice. But when he went into different male characters, he pulled off thedeep and gravely just fine. Acceptable female renditions but I will always say that the male/female narration duo is the best. Instead of showing what this kind of crazy thrill ride could be, we just get more scenes of the brats fighting and calling each other names, while they conducted their relationship with all the maturity of a couple of middle schoolers. My thanks to a couple of prior reviewers for this film in mentioning that Burt Lancaster had an athletic circus career prior to Hollywood. I didn't know that, but it confirms what I thought I saw in the picture, that Lancaster must have been doing a fair share of his own stunts. There were a couple of flips and rolls I wouldn't have expected but it sure looked like he wasn't using a stunt double, so one has to appreciate the gymnastic ability involved.

There was one thing that looked very unrealistic, although it may have been accurate: Dardo's love interest Anne (Virginia Mayo) wears pants in some scenes, and even wears shorts in some scenes. I can't imagine that any woman in medieval Europe would have worn pants, let alone shorts. But maybe she really did dress like that. Whatever the deal was, Virginia Mayo is as hot here as she was in "The Secret Life of Walter Mitty". THE FLAME AND THE ARROW is one (1) of those films that every ten (10) years we see and are pleasantly surprised how well it holds up. It is also amazing how it appears and disappears. In the 60's it was on quite frequently, the 70's not so. American Movie Classics (AMC) showed it often in the 80's and it came out on VHS. Now it is been buried again so a new generation of viewers are going to have to wait till it comes out on DVD. I have just watched my 80's VHS recently so this is based upon it. The courtship of Annika and Talvi is so sweet. There are so many clues on how Talvi felt about Annika but Annika kept flying into the wrong conclusions about Talvi. Talvi only revealed what Annika needs to know when she is ready to listen. In Annika's defense, she is scared of what would happen when she returned to her own world. Talvi can't follow her there since he doesn't have a job there and has never been to the States. She is scared that she and Talvi might not have a future in the human world. Dardo sends a message to the count, offering an exchange of prisoners, but Ulrich threatens to execute papa Pietro unless Anne is released. Dardo and the others race to the village and rescue Bartoli. Then Dardo learns from his aunt Nonna ( Aline MacMahon) that five more prisoners have been taken to hang in Papa's place. Dardo gives himself up to save the others and is hanged in front of his son. Ulrich takes the rest of the rebels prisoner, including the marchese.While visiting a small town, Sofia, Annika noticed a man and three women in their twenties. Intrigued by the way they were dressed, Annika followed them into the bookstore. She only found out that they were from Derbedrossivic, before she escaped when one of the women mistakened her for another person. We keep coming up with these Double Bill promotions – what about this one for two great adventures stories :- Good thing this was a long book because there's a whole different parallel world to be described. This isn't one of those wordy "have-to-mention-every-object" scripts but one full of movement, characters and new situations. I get some feel of a YA read but there is graphic sex at the adult level... Not too much though (darn). No heavy violence or language (unless you consider "shit" a no-no.